To mention the nomination on this blog as well...roll on media archaeology!: the with Garnet Hertz co-authored piece "Zombie Media: Circuit Bending Media Archaeology into an Art Method" has been nominated for the Transmediale 2011 festival Vilem Flusser Theory Award!
The text is a theoretical excavation into thinking such art methods as circuit bending as media archaeological, and hence, expanding the notion of media archaeology from a textual method into something more strongly connected to the political economy of clipped shut information technology and material digital culture art practices: tinkering with technology that is not meant to be opened, changed, modified.
Hence we mobilize such key themes as "black boxes" which have of course been well thematized in Science and Technology Studies (STS), but now in a media archaeological and hacktivist setting. Hence, the name zombie media: not dead media, even if old, passed away even; we write in the conclusions: "media never dies. Media may disappear in a popular sense, but it never dies: it decays, rots, reforms, remixes, and gets historicized, reinterpreted and collected. It either stays as a residue in the soil and in the air as concrete dead media, or is reappropriated through artistic, tinkering methodologies."
Of course, media archaeological art has been done - and we are not the first one's to tap into this idea. We are hence following the footsteps of such great practitioners as Paul DeMarinis, Zoe Beloff, and a range of others who use media archaeological methods, ethos or the more general idea of remediation in their practices that put old media and new media into dialogue. What is however still missing is the theoretical discussion concerning the art methods in media archaeology, and our text is a contribution in that direction.
Here the info from the Transmediale 2011-website:
Vilém Flusser Theory Award
Congratulations to the following four nominees of Vilém Flusser Theory Award 2011!
The Vilém Flusser Theory Award (VFTA) promotes innovative media theory and practice-oriented research exploring current and pending positions in digital art, media culture and networked society. The call was open to publications, positions, and projects from a broad range of theoretical, artistic, critical or design-based research that seeks to establish and define new forms of exchange, vocabularies and cultural dialogue.
Zombie Media: Circuit Bending Media Archaeology into an Art Method
Garnet Hertz & Jussi Parikka
GATHERINGS 1: EVENT, AGENCY, AND PROGRAM
_Social Tesseracting_: Parts 1 - 3
Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age