Reading Nollet’s (1749) Recherches sur les causes particulières des phénomènes électriques gives an insight to the enthusiasm concerning the Leyden jar at that time, and Nollet’s continous experiments that had to do with the different material characteristics of bodies – organic and non-organic – to convey, to communicate with each other through the medium of electricity. Later, a similar enthusiasm surrounding Tesla’s performances in his laboratory at Colorado Springs were reported both in wider public as well as specialist publications. The Tesla Coil was a spectacular demonstration of the powers of electricity – and the new worlds of different materialism emerging with that worldview, not without implications to how we approach and think about media technology:
“As early as 1890 this savant had produced electrical disturbances in his lab
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(Samuel Cohen, “ “Lightning Made to Order”, The Electrical Experimenter, New York, November 1916, 474. Quoted from Tesla 1961: 93-94).
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